HarvardX: MUS24.3x First Nights - Beethoven's 9th Symphony and the 19th Century Orchestra

Thomas Forrest Kelly

Tom Kelly is the Morton B. Knafel Professor of Music at Harvard University. Professor Kelly received his B.A. from Chapel Hill; spent two years on a Fulbright in France studying musicology, chant, and organ. He holds a Ph.D. from Harvard (1973) with a dissertation on office tropes. He has taught at Wellesley, Smith, Amherst, and at Oberlin, where he directed the Historical Performance Program and served as acting Dean of the Conservatory. He was named a Harvard College Professor in 2000 and the Morton B. Knafel Professor of Music in 2001. In his second MOOC, he never turns a deaf ear to his students.

Jascha Smilack

William O'Hara

Content Developer and Teaching Fellow for First Nights.  Originally from Oxford, Ohio, William O'Hara is a Ph.D.Candidate in the Department of Music at Harvard University. His research interests include the history of music theory, the study of musical form, and the analysis of film and video game music. In 2015, he received the music department's Oscar S. Shader award for excellence in undergraduate teaching.  When Bill was asked about his favorite, he felt the scales tipped in another direction!

Monica Hershberger

Content Developer and Teaching Fellow for First Nights.  Also originally from Oxford, Ohio, Monica Hershberger is a PhD candidate in the Department of Music at Harvard University. Monica's dissertation deals with heroines in mid-century American operas. More broadly, her research interests include the overlap of music and politics in the United States, opera, reception history, music criticism, and large-scale sets of piano variations. Monica recently won the National Opera Association's Scholarly Paper Competition. Still a vocal supporter, and also one of the sharpest on our staff!

Hogan Seidel

Hogan Seidel is the Video Editor for First Nights. He holds a BFA in Experimental Media from Emerson College. He is a filmmaker living and working in Boston, MA. In his free time, he enjoys collecting and restoring old camera equipment. When asked how his editing approach to the First Nights modules was different from other courses, Hogan replied that he had to work flat-out to finish in time.

Shilpa Idnani

Shilpa Idnani is a Course Development Assistant for First Nights. She holds a B.A. in Environmental Studies from Wellesley College, where she specialized in creating interactive computer ecosystem and hydrogeological models. Recently, she has designed, created, and collected materials for wide variety of HarvardX courses including Innovating in Healthcare, Data Analytics for Human Genomics, and ContractsX. She will be monitoring the discussion boards for technical issues with the platform and course. Still a key figure in turning major problems into minor notes, cross her and you'll be in treble.

Brad Edmondson

Brad is the Copyright Assistant for First Nights. He graduated from Vanderbilt Law School in 2014 and has been working at HarvardX to assess and manage copyright risk for the past year. Originally from Austin, Texas, he received his B.A. in political science from Tufts University and then worked there for three years in IT support and information security before attending law school. At Vanderbilt, Brad focused on intellectual property, cybersecurity policy, and process-oriented risk management, and he took survey courses in intellectual property, international IP, and cyberlaw, as well as focused courses in patents, trademarks, entertainment-industry transactions, IP licensing, collective management of copyright, and e-discovery. He also served as Senior Technology Editor to the Journal of Entertainment & Technology Law and as treasurer for the Vanderbilt chapters of the Phi Delta Phi legal fraternity and the American Constitution Society. Brad is passionate about IP law, process design, collaborative process improvement, political debate, and open-source software, and he also loves soccer, running, and pulling shots of espresso by hand. Asked about the value of the underlying ode, Brad said it is worth every Schiller.